Journal Guide

Devoted to all aspects of the poetry and life of American modernist poet Wallace Stevens, The Wallace Stevens Journal has been publishing scholarly articles, poems, book reviews, news, and bibliographies since 1977. The Journal regularly features previously unpublished primary or archival material and photographs, as well as interpretive criticism of the writers poetry and essays, theoretical reflections, biographical and contextual studies, comparisons with other writers, and original art work. Increasingly international in orientation, this double-blind peer-reviewed journal welcomes a diversity of approaches and perspectives. Sponsored by The Wallace Stevens Society.

Since the first issue was published in 1984, Wasafiri has always opened minds and crossed literary worlds. The magazine remains key in mapping new literary landscapes and offering the best of contemporary international writing today, consistently featuring Britain's diverse cultural heritage whilst also highlighting the vast range of worldwide diasporic and migrant literature. 'Wasafiri', the Kiswahili word for travellers, captures our ethos: to travel the world via the word to extend and challenge the established boundaries of literary culture. Wasafiri gives particular prominence to those whose literary and historical concerns do not necessarily fit within the confining rubrics of any one particular movement, tradition, or culture. One of the UK's first publications to have provided a sustained outlet for new writing, it has contributed to the emergence of many now established voices and offers a dynamic context for dialogue and critical debate. The quarterly magazine draws widely across modern culture and the arts, publishing a lively and informed mix of fiction, poetry, interviews, essays and reviews by both well-known and rising names. As such, Wasafiri provides a unique forum for those keen to explore the geographies and contours of new and emerging literary worlds. Last year Wasafiri celebrated its 25th anniversary with a series of cutting edge live events including renowned literary names and some of the best up and coming voices, whilst the magazine's New Writing Prize discovered some exciting new creative writers. As we move into our next quarter century, Wasafiri looks forward to renewing its commitment to 'celebrating the best of tomorrow's writers today'. Visit the Wasafiri website at www.wasafiri.org.DisclaimerWasafiri and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Wasafiri, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, Wasafiri and Taylor & Francis.

Women's Writing is a fully refereed international journal focusing on women's writing up to the end of the long nineteenth century. The Editors welcome theoretical and historical perspectives, and contributions that are concerned with gender, culture, race and class. The aim of the journal is to open up a forum for dialogue, discussion and debate about the work of women writers, and hopes to reflect the diversity of scholarship that can be brought to bear on this area of study. To see a comprehensive list of all Women's Writing articles (including forthcoming material) please click here.DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Women: a cultural review explores the role and representation of gender and sexuality in arts and culture, with a particular focus on the contemporary world. The journal analyses the theory and politics of sexual difference in literature, the media, history, education, law, philosophy, psychoanalysis and the performing and visual arts. The journal has two Special Issues a year, and one Open Forum. In addition to articles, each issue has a substantial review section and a listings section for new and recent titles in the field of gender and culture. The journal also regularly features interviews with figures who have made particularly significant interventions in current debates about gender and feminism. Articles are invited for Special Issues and the Open Forum from both male and female contributors. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Written Communication (WC), peer-reviewed and published quarterly, is a broad, interdisciplinary, and essential journal for research on the study of writing in all its symbolic forms. It reports on what writing is, how writing gets done, and what writing does in the world, consistently providing readers with new research findings, new theoretical concepts, and new ways of understanding how writing is practiced in schools, workplaces, and communities.

The »Literaturwissenschaftliches Jahrbuch« (Yearbook of Literary Studies) was founded in 1926 by Günther Müller with the aim to publish both research and literary texts. The Jahrbuch was banned by the Nazis in 1939 and re-founded by the German scholar Hermann Kunisch in 1960; the new series has now grown to more than 50 volumes. The trans-disciplinary journal publishes articles on German, English and American literature, as well as literature in the Romance languages. Articles may be written in German or the languages of the respective fields. Each volume also comprises a substantial review section. Early career scholars are encouraged to submit their manuscripts.