Journal Guide

Since its launch in 1987, Textual Practice has been Britain's principal international journal of radical literary studies, continually pressing theory into new engagements. Today, as customary relations among disciplines and media are questioned and transformed, Textual Practice works at the turning points of theory with politics, history and texts. It is intrigued by the processes through which hitherto marginal cultures of ethnicity and sexuality are becoming conceptually central, and by the consequences of these diverse disturbances for educational and cultural institutions.Peer Review Policy:All review papers in this journal have undergone editorial screening and peer review.View forthcoming special issues for the journal hereDisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

An official journal of the College English Association, The CEA Critic publishes scholarly works that, through "close reading" methodology, examine the texts of fiction, poetry, drama, nonfiction, and film studied on the college level. Bridging traditional academic scholarship with practical pedagogy, the journal encompasses a broad range of interests gathered traditionally under English studies: literature, womens studies, speech, composition, minority studies, creative writing, popular culture, film studies, technical communication, and ESL (English as a Second Language). By focusing on the contextual rather than the theoretical aspects of works, The CEA Critic provides a refreshingly sharp academic and practical perspective for teachers and scholars alike. Published three times a year in Winter, Spring-Summer, and Fall for the College English Association (CEA).

The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Founded in 1966, The Chaucer Review is the journal of Chaucerian research. The Chaucer Review publishes studies of language, sources, social and political contexts, aesthetics, and associated meanings of Chaucer's poetry, as well as articles on medieval literature, philosophy, theology, and mythography relevant to study of the poet and his contemporaries, predecessors, and audiences. It acts as a forum for the presentation and discussion of research and concepts about Chaucer and the literature of the Middle Ages.

The Comics Grid: Journal of Comics Scholarship is an open access, open peer review academic journal dedicated to comics scholarship. The journal aims to make original contributions to the field of comics studies and to advance the appreciation of graphic narrative.

We aim to promote comics scholarship within academia and the general public with contributions that present specialised knowledge in an accessible language. As a publishing platform we encourage digital research, public engagement and collaboration.

Sponsored by the Emily Dickinson International Society, The Emily DickinsonJournal showcases the poet at the center of current critical practices and perspectives, providing an ongoing examination of Dickinson and her relation to the tradition of American poetry and women's literature. Since its founding in 1991, the Journal has become the major source for current scholarship on Dickinson, publishing writing by the very best young scholars as well as work by those established in the field.

Concentrating on works that are frequently anthologized and studied in college classrooms, The Explicator, with its yearly index of titles, is a must for college and university libraries and teachers of literature. Text-based criticism thrives in The Explicator. One of few in its class, the journal publishes concise notes on passages of prose and poetry. Each issue contains between 25 and 30 notes on works of literature, ranging from ancient Greek and Roman times to our own, from throughout the world. Students rely on The Explicator for insight into works they are studying. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

The German Quarterly serves as a forum for all sorts of scholarly debates - topical, ideological, methodological, theoretical, of both the established and the experimental variety, as well as debates on recent developments in the profession. We particularly encourage essays employing new theoretical or methodological approaches, essays on recent developments in the field, and essays on subjects that have recently been underrepresented in The German Quarterly, such as studies on pre-modern subjects. The German Quarterly is an equal opportunity publication in terms of approaches, topics, epochs and styles in a landscape in which many of the best journals are now specialized. We welcome submissions on all topics in German literature, culture and film from the Middle Ages to the present, as well as comparative and interdisciplinary articles that are relevant to the field of German. Back issues of The German Quarterly are accessible to users at institutions that participate in JSTOR's Arts & Sciences III and Language and Literature Collections. Users are able to browse, search, download, and print the full-text PDF versions of articles from the first volume in 1928 up until the most recent three years.

The Germanic Review delivers the best of international scholarship in German studies. With contributors representing leading research institutions in the United States, Canada, France, Great Britain, Australia, and Germany, the journal features peer-reviewed articles on German literature and culture, as well as reviews of the latest books in the field. Most articles appear in English, although each year a few are entirely in German. Recent issues discussed the works of Walter Benjamin, Ernst Cassirer, and Thomas Mann; German national character; and German identity and historical memory. German scholars and students appreciate The Germanic Review's analyses of German literature, culture, and theory, as well as the lives of German authors. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

The Henry James Review brings together the best contemporary scholarly, critical, and theoretical work on a major American writer. The journal publishes critical essays and reviews by new as well as established critics of James. Recent issues have included "James and the Sacred" and "Jamesian Arts."